Hand (proviso)
       
     
Course Stone
       
     
Hoody
       
     
Death's Objections
       
     
Teaser
       
     
Teaser
       
     
Teaser
       
     
Hippocrates’s Plyos #1 (slam-dunk)
       
     
Hippocrates’s Plyos #1 (slam-dunk)
       
     
Untitled (O Wave)
       
     
UNTITLED (O WAVE)
       
     
UNTITLED (O WAVE)
       
     
UNTITLED (O WAVE)
       
     
Case Study #34 (Prana)
       
     
Case study #33 (Shivambu)
       
     
Where the Men Met (Manhood)
       
     
Where the men met (Manhood)
       
     
Where the Men Met (Deer)
       
     
Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)
       
     
 detail
       
     
 Tasting the succulent olives, I was thinking of the impossibility of the symmetry, calculated to the 53rd decimal point. The axis of the megalography seemed to be analogue to the preterite, cutting across both the grid and the group tending towards separate asymptotes within a general hyperbole, 2005, Installation
       
     
TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....
       
     
Hand (proviso)
       
     
Hand (proviso)

2014, plaster, neodymium magnet, iron fillings, pigments, 22 × 9 x 3 cm

Course Stone
       
     
Course Stone

2010, earthenware, resin,  neodymium magnet, paper clips, 13.5 x 21 x 16 cm

Hoody
       
     
Hoody

2011, resin, neodymium magnets, iron filings, 24 x 24 x 20 cm

Death's Objections
       
     
Death's Objections

2011, patined stoneware, hand-blown glass, 25 X 20 X 19 cm / 9.84 x 7.87 x 7.48 ins

Teaser
       
     
Teaser

2016, latex, sand/iron mix, pvc

Teaser
       
     
Teaser

detail

Teaser
       
     
Teaser

detail

Hippocrates’s Plyos #1 (slam-dunk)
       
     
Hippocrates’s Plyos #1 (slam-dunk)

2015, pvc, sand/iron, fabric, metal

Hippocrates’s Plyos #1 (slam-dunk)
       
     
Hippocrates’s Plyos #1 (slam-dunk)

detail

Untitled (O Wave)
       
     
Untitled (O Wave)

2013, wood, polythane rope, plaster, house paint, stone, scanned and c-type printed image

UNTITLED (O WAVE)
       
     
UNTITLED (O WAVE)

detail

UNTITLED (O WAVE)
       
     
UNTITLED (O WAVE)

detail

UNTITLED (O WAVE)
       
     
UNTITLED (O WAVE)

detail

Case Study #34 (Prana)
       
     
Case Study #34 (Prana)

2014, found lab glass, aluminium oxide, cork, steel, carbon dioxide, 25 x 11 x 25 cm

Case study #33 (Shivambu)
       
     
Case study #33 (Shivambu)

2009, steel, glass, rubber, plastic, paper, earthenware

Where the Men Met (Manhood)
       
     
Where the Men Met (Manhood)

2011, deer antlers, bandage, resin, pencil on paper, inkjetprint

Where the men met (Manhood)
       
     
Where the men met (Manhood)

2011, deer antlers, bandage, resin

Where the Men Met (Deer)
       
     
Where the Men Met (Deer)

2011, pencil on paper,  found lab glass, aluminium oxide

Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)

2012, wood, jesmonite, matt emulsion, paint pigments, Corian

Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)

detail

Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)

detail

Trajectory (Tomb of The Diver)
       
     
Trajectory (Tomb of The Diver)

detail

 detail
       
     

detail

 Tasting the succulent olives, I was thinking of the impossibility of the symmetry, calculated to the 53rd decimal point. The axis of the megalography seemed to be analogue to the preterite, cutting across both the grid and the group tending towards separate asymptotes within a general hyperbole, 2005, Installation
       
     

Tasting the succulent olives, I was thinking of the impossibility of the symmetry, calculated to the 53rd decimal point. The axis of the megalography seemed to be analogue to the preterite, cutting across both the grid and the group tending towards separate asymptotes within a general hyperbole, 2005, Installation

TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....

solar system/ planets, kinetic sculpture, 2005, aluminium, perspex, motors, mirrors, Height 1500 cm x Diameter 1500 cm

TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....

installation view

TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....

detail

TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....

detail

TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....

graph, 2005, 3 graphs, stainless steel, car paint, vinyl, magnets, 100 cm x 120 x 40 cm each graph

TASTING THE SUCCULENT OLIVES....
       
     
TASTING THE SUCCULENT OLIVES....

detail